I Keep My Promises
In my last blog entry I promised you an Easter egg from The Blacklist. What I didn't know then was that I would notice another. I will admit up front that these are probably known to diehard fans, but I had fun spotting them. They both appear in season one. At one point we see the main character Raymond "Red" Reddington in front of a painting of a boat. The picture is "Storm on the Sea of Galilee" by Rembrandt which was stolen from the Isabella Stewart Gardner museum in Boston in 1990 and has never been recovered. I also promised to connect this with a James Bond film, Dr. No. In the film Bond is about meet the doctor for dinner in his lair. As he climbs a staircase he passes a painting that is visible to the audience. It is Goya's Portrait of the Duke of Wellington, which had been stolen the year before the film was released, and not recovered for several years after. In fact, the Bond franchise repeated this effect in Skyfall, this time with a missing Modigliani.
The second Easter Egg may have caught the attention of many Hitchcock fans. At one point is season one agent Liz Keen is in trouble, and Red is helping her. He tells her to contact a Mr. Kaplan at the Emissary Hotel. In North by Northwest, Hitchcock has his hero, Roger Thornhill, hoping to get out of a jam by clearing up a case of mistaken identity. He is looking for a man at the Plaza Hotel named Mr. Kaplan. If you watch the entire series of The Blacklist and the film North by Northwest, you will learn that this may be more than just a reference in homage to a great director. It could be some foreshadowing.
I think one of the reasons that viewers like these types of references is that it makes them feel like insiders – they know something that not everyone knows, or they notice something that has escaped others. Isn't that part of the fun with the more traditional mysteries as well? Readers try to dig out clues from seemingly inconsequential details of a story. Sometimes those details are buried in with other mundane items, needles in haystacks, like some Agatha Christie clues. Sometimes they are obvious by their meaning is the reverse of the most likely interpretation, for instance, K. Chesterton's The Mistake of the Machine or if you prefer your clues in video format, a great example is the episode Knowing Her of the 80's television series Moonlighting. Then there are the clues so odd that they can only be interpreted after a lot of investigation or in light of a vast body of knowledge, which is often the case with Sherlock Holmes. As an example of Holmes recognizing the significance of an odd clue try The Adventure of the Three Students. Whatever the approach, many mystery readers want to see if they can keep up with the author. So part of the fun of writing is offering them hints and references like these to keep them engaged with the work.
So far I have mentioned several stories in various media, and I expect to do so quite a lot in the future. These are not necessarily recommendations, but if you become curious and discover an author or show that you enjoy, then part of my hopes for this blog has been accomplished.
In the next entry I am going to discuss some media that presents the magician as detective, including a bit of non-fiction as well. Until then, thanks for reading my blog.
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